"I'M YOUR BIGGEST FAN!"

One of the things I like about forcing myself to write this blog every week is the fact that I'm getting some interesting and esoteric stories about my work loaded on to the the web where they will hopefully be archived forever. This will be a real bonus for the folk art historians of the future who decide to research my odd little niche in the crafts universe. Yes, I realize this sounds a bit egotistical, but when you see the photo at the end of this post, you will see why I'm feeling so full of myself today. The topic for this week is "Fan offerings and the fans that offer them: a trip down memory lane with the stuff people have sent me over the years". Enjoy!

The Tim T-shirt: This came to me from a fan who wanted to make a commemorative shirt for her friend Tim who was going on a trip to Japan. It was always fun for me to wear because people thought it was a typo that it said "Tim" instead of "Tom".

The Fred Babb original plate: Back in the summer of 1989, we had so many orders that there was a six week waiting list for galleries to receive their pots. Oh, those were the days! One of my best accounts was "What iz Art?" in Cambria, CA. It was owned by Julia and Fred Babb. Fred is an amazing artist and he is one of my true heroes and mentors in the world of crazy, fun and magical self-expression. When I told Fred his order was going to go to the back of the line just like everyone else, he sent me this plate as a bribe. It worked like a charm and I squeezed his pots in the next firing.

The silver Wally pin: A jeweler named Jewel sent me this a few years ago, and I love the way Wally looks in shiny metal. I used to do ceramic Wally pins back in the 1980s, and one of them was worn by Demi Moore in the film, "The Seventh Sign". Look for it in the chase scene where she is running through a church wearing a beige overcoat. Wally is right there on her collar!

The Wally Tattoo: This pic just came to me last week from a superfan via email.... really! I'm overwhelmingly flattered by it and I'm still kind of in a daze. It isn't finished yet, as the Wallys need to be colored in and the banner will have a phrase. The words have yet to be decided.... any ideas out there?

P.S. I just got a nice mention today on missmalaprop.com. Check it out!

It's Showtime!

The kiln is out, everything looks good and I seem to be spending a lot of time fussing with the pots today. Taking photos, assembling clocks, gluing magnets and putting together the consignment list has taken a lot more time than it did to ship out the regular wholesale orders I dealt with yesterday. It always amazes me how making your best pots is way less profitable than making your average pots. But it will be fun to have an opening and I'm looking forward to seeing what kind of response these new pieces get.

I'm thinking about adding four pieces to the show that weren't done by Noah. Two of them were collaborations with Chris Smith and the other two were painted by John Lacey. All four are some of the most novel and ambitious pieces I've ever been a part of, and they have been gathering dust in my studio for years now. I've invested a fair amount of hourly wages in them, and it would be nice to recoup some of my investment. Also, I can put a high price on them and it will make Noah's "high ticket" items seem not quite so expensive. All four are posted below, and I think it would be nice to get them out of the studio. The first one, a shallow bowl entitled "Chris Smith is a Fucking Genius" took a total of eight hours to decorate. Let me see... with wages, withholding and workers comp, I've probably got close to $120 invested in this one. So if I sell it for $250, the gallery gets half and I make a cool five dollars profit. The other ones weren't quite so time-consuming to paint, but they do represent a high water mark for my art. Yeah... I can afford to get rid of them. It's time.

The Mud-Pie Dilemma Part 2

I'm not very inspired to post this week so I'll let the pictures do the talking. Noah has been in the studio painting like mad and the show pieces are done. My favorite ones are these plates. I think the colors will really pop when they come out of the kiln. Pricing is going to be weird as some of the mugs actually took longer to paint than these plates, which should fetch a higher price. For some reason, the public won't pay much more than $35.00 for a mug, but a nice plate could get twice that much. If we do another show, it might be best to do nothing but plates. The pic on the bottom are the refrigerator magnets.... too cool!

The Mud-Pie Dilemma Revisited

The Mud-Pie Dilemma is the much-loved book for all of us baby-boomer potters.Written by John Nance, it chronicles pottery legends Tom and Elaine Coleman and their struggle to earn a living selling pots back in the 1970s. After observing the couple for a number of months, the author concluded that their effort to put together a showing of the best pots of their career netted them a sub-minimum wage for the endeavor. But the photos of the pots in the back of the book are to die for and this text was a true inspiration for me when I started making pots for a living over thirty years ago. Fortunately, Tom and Elaine are far more financially successful now, and their work continues to boggle the mind.

With slow sales in the Wallyware line, I've taken on a mud-pie dilemma of my own. I agreed to throw fifty pots in a collaborative show with Noah Van Sciver, cartoonist nonpareil, really nice guy and my oldest daughter's boyfriend. We've got a show lined up at the Earthwood Gallery in Boulder and the opening night is March 6th. Noah has been working on the pots for a couple of days now, and he should have them finished sometime next week. There are some really nice graphics getting painted on these pots. I was amazed that the very first thing he did in the studio was to decorate the two most ambitious pots of the series: a pair of vases. He knocked them out in a relatively short period of time and they are lovely. So it's going to be a fun show and we are in the process of trying to peddle our situation to various media outlets. It is a really sweet story: the potter/caroonist dad and the cartoonist boyfriend working together in the studio with the Brian Jonestown Massacre blaring in the background. Ahhh... the lives of a struggling artists!

But the finances of this gig are not going to be the best. I think we're going to beat Tom and Elaine Coleman in the profit margin category, but not by much. That's the problem with taking your time and doing your best work. It doesn't always pay off very well financially. But the pots are going to be cool... way cool!

Wally becomes a leading economic indicator and Tom discovers "Extreme Craft" (and vice versa)

New cartoon! With depressing economic indicators constantly beating on our brains all the time, it's not surprising that my latest Wally adventure features a connection between the 1930s and the present. I'll be pitching this one to my galleries and retail customers this week, and we'll be drawing it on a bunch of mugs, plates and bowls that will be loaded in the kiln on Wednesday. If you have any specific designs or custom orders you need, be sure and let us know ASAP as Kelly is leaving on her academic world tour later this week. I'll miss working with her but I'm so glad she's going on this amazing trip. Her "Semester at Sea" destinations include: Spain, Morocco, South Africa, Mauritius, India, Thailand, Vietnam, Hong Kong, China, Japan and Hawaii. All I can say is, "Wow!"

Good news! My first week on Etsy (see last week's post) had a nice little success. I was chosen by Garth Johnson of Extreme Craft as one of the featured artists of the week and my "Lost in Space" plate got pitched to all Etsy subscribers in a mass emailing. Garth is quite possibly the world's leader in championing weird and wonderful craftspeople and the stuff that they make. I'm totally geeked about his blog that features everything from watermelon bras to people who create their own superhero costumes and weapons. I highly recommend exploring this site and reading his insightful posts. With an MFA in ceramics from Alfred and a lifetime of exploring all facets of the craft world, this guy is my new hero. As the other Garth would say, "I am not worthy!!!"

My Thanksgiving Rant

I have never liked the adage, "Money can't buy you happiness". It's so absolute and authoritarian. Yes, I understand its intent: to explain why Howard Hughes' immense wealth couldn't save him from his agoraphobia, for instance. But I really think that this phrase is incorrectly worded. Don't you think "Money can't guarantee you happiness" or "Just because you are rich, it doesn't mean you are happy!" would convey the concept a lot better? I suspect that "Money can't buy you happiness" was created when a medieval king commissioned his slogan maker to come up with some effective propaganda to keep the poor folk from staging a revolution. The peasants were getting increasingly pissed off about their standard of living being so much lower than that of the king, so the king used a slick advertising campaign to secure his place on top of the totem pole. With these grand words plus the zinger, "Money is the root of all evil", a peasant uprising was cleverly avoided.

Unfortunately, the economic news of the last two months has gotten all of us a lot more focused on things like money and potential peasant uprisings. Like most of us, I am totally appalled at the sight of some of the richest men on the planet coming to the American taxpayers with their hats in their hands asking for handouts the size of a small country's annual GNP. Suffice to say, things are definitely weird these days. And I'm really feeling it in this year's holiday orders. I sell over 90% of what I produce to a group of less than a hundred fine craft galleries throughout the United States. Every fourth quarter of the year has been roughly the same for me: we get a steady stream of orders in September and October, and we ship them all out by Thanksgiving. Then we get a bunch of re-orders the first three weeks in December and hopefully we have a really low inventory by the end of the year. This year things are way off. A lot of stores that regularly order with us haven't done so, and the ones that have placed orders are down by about half as much as usual. I feel a bit like a canary in a coal mine.... cough! cough!

The main reason I started this blog is to liven up my presence on the web. The sales in my webstore were phenomenally low in September and October, and I attributed it to the economic crisis. This month, my webstore sales have picked up pretty well up due to an email I sent out to all of my online customers. I'm hoping that the next few weeks will see a lot more sales for us through the internet. But the real question is, what is it going to be like in January? If my accounts are laying low during the holiday season, they surely won't order much at all after New Years. By coincidence, my assistant is leaving for a three month "semester at sea" program the second week of 2009. Kelly is an absolutely perfect co-worker, and she will be hard to replace. So if we have a lot of pots still in our stockroom at this time, I probably won't hire anyone new and I will look for other employment. Sounds like fun, huh? I just contacted an incense distributor in Boulder who is looking for massive quantities of hand-thrown incense bowls. This could be a good fall back situation for me and I'm hoping that it works out. I'll still be producing Wallyware, but only to meet demand. You can only have so many pots in your stock room, right? I'm fortunate that my business is out of my house, because if I was renting a warehouse, this would be an entirely different situation. Rest assured, fans of Wallyware. We are far from throwing in the towel at this stage.

OK... that's enough ranting. Now for the things to be thankful for. While my lack of money does make me somewhat unhappy these days, the big things in my life are good. My family is doing really well. I'm married to a wonderful woman who is doing quite well in her career. Lori's job is a lot more stable than mine: she is a tenured professor at CU Heath Sciences and her career continues to thrive. Our teenagers are quite successful, too. Robin is an English major at CU Denver, and she is the editor of the arts and entertainment section of the school newspaper, "The Advocate". She has a host of side projects in other media, as well. This week she got promoted from intern to freelance writer for the print and online version of the A/V section of "The Onion". Check out her latest article. And Monica is having a very nice year senior year in high school. She has excellent grades and test scores, and she has a really great group of friends. It's fun watching her turn into an adult. So we all have our good health and our varying degrees of success, but it would just be nice to get some more pottery sales right now. Because if I'm working at Wal-Mart a year from now, I don't think I'm going to be quite so happy about the state of things.

What's up with that spittoon?

One of the realities of being an artist is that you end up getting asked to donate your work to a lot of various charity silent auctions. I generally enjoy supporting worthy causes, but over the years I've noticed that there is one downside to this process. Namely, it totally sucks to watch your artwork sell for way less than it's worth. This was certainly not the case last weekend, when my wife and I attended the "Champagne and Diamonds" event for Sense of Security, an organization that raises funds for the basic needs for women dealing with breast cancer. I had donated a serving bowl with the "Wally goes to a party and realizes that he is the only one who isn't on anti-depressants and it makes him sad" design, and it was valued at $90.00. To my surprise, there was a lively bidding war and it sold for $175.00. How cool is that? This week I threw some more salad bowls, and they will be in my webstore in about two weeks. So if any of you people out there who missed out on buying the one at "Champagne and Diamonds" happen to be reading this blog, bring your credit card back to my webstore in a couple of weeks.

Undoubtedly the most ambitious item I've ever made for one of these auctions is "The Unsinkable Molly Brown Spittoon", one of the collectable Wallys I featured in last week's blog. I don't know what got into me, but I was totally inspired to make a bizarre work of art for this year's Rocky Mountain PBS auction. I suppose it could have been the lure of seeing my artwork on TV that made me totally knock myself out on this one. And boy was it worth it! I got to see my magnum opus on TV at 3:00 on a Saturday afternoon... woo-hoo! What a thrill. But the problem with this experience was that my assistant and I pissed away well over a day's labor on it and it only sold for $250. It was valued at $500. I guess the process of putting that much energy into one pot was a good experience, and hopefully it's the perfect interior decorating accent for whoever snapped it up at the auction. But next year, I'm going to do something way less ambitious for RMPBS... probably a set of coffee mugs or something. I've posted the pics of this kick-ass ceramic wonder below for your enjoyment. But please... don't ask me to make another one of these ambitious monsters for your next charity auction.

The 22nd Century Collector’s Guide to Wallyware

Permit me to indulge myself for just a bit here and let us imagine that it’s one hundred years in the future and Wallyware pottery has become a collectable item. For the record, I never tell fans of my work to buy it as an investment, so we are just pretending here. But a century from now these pots would certainly make an entertaining feature on a futuristic version of “Antiques Roadshow”. And it’s not unrealistic to think that the tens of thousands of pots I’ve created in my lifetime could be enough volume to warrant a small collectables market in the next century. Only time will tell. One thing is for sure, the topical humor I’m doing now is going to seem like it’s from another planet to people in the distant future. So let’s dig deep into the Wallyware catalog and unearth some esoteric and already ancient Wally adventures that will be the most collectable of the bunch, due to their extremely limited availability and/or their significance to history:

1) “NAPPY! HE AM GOOD BOY!!!” (1983) True fact: There is only one of these, and it is the very first image of Wally that I ever drew. It was a gift to my friend Liz, to commemorate an experience she had as a medical intern. Don’t be surprised if someday there are imitations of this plate now that its picture is posted on the web.
2) “The First Wally Adventures” (mid-1980s) These are the very early Wally pots that look a lot like they are drawn by a child. The artwork is crude, and the jokes are incredibly simple: “Wally sees God”, “Wally meets visitors from outer space”, “Wally eats visitors from outer space”, etc.

3) “Happy Wedding, Julia and Keifer. Love, Wally” (1991) Inspired by the big celebrity news of the day, this joke was drawn on only a couple dozen plates. (Note the painted-on sale price sticker!) A few years after I created it, one of the galleries that shows my work sold it to a friend of Julia Roberts who allegedly gave it to the academy award winning actress. How fun!
4) “While negotiating a labor contract with Zigfried and Roy, Wally encourages his clients to get tough with management” (1990s) I created this joke for a fine craft store in the MGM Grand at Las Vegas and it sold pretty well for them. It was kind of creepy in 2003 when the news broke about Roy Horn getting attacked by his tigers.
5) “Wally and Up with People sing their way into the Guinness Book of records in a ditch in Waco, Texas” (1993) I made less than a dozen of these just one week before the Branch Davidian compound was burned to the ground by the Bureau of Alcohol, Tobacco and Firearms. We shipped the first ones out to Twist Gallery in Oregon, and they arrived the exact same day as the tragedy. The gallery owner called us and said, “We need to send these back.”
6) The “Wally and OJ” series: 1995 was a real boom time for us with the OJ trial. The Geraldo Rivera joke was the first, and Geraldo himself held up a mug with this cartoon on his TV show. We did a series of spin-off adventures about the trial, and the high point of it all was sending a batch of plates off to the prosecution lawyers for a special order from the DA of Los Angeles, Gil Garcetti. I even got to talk to Gil on the phone one day. It was so weird!
7) The Oregon Bach Festival series (1990s): For a string of about five or six years, my account in Eugene, New Twist, would order commemorative Wally designs for the Oregon Bach Festival. They were a big hit with the musicians at the festival, and the subjects of the jokes were wonderfully esoteric.
8) The Provincetown gay theme series: In 2004 I received a really huge order for ten different gay themed Wally adventures for my account in Provincetown, MA. That summer we produced a couple hundred pots with Wally as a drag queen, Wally as a giant ape carrying female impersonator Ray Fay to the top of a skyscraper, Wally cuddling with “The Bears” etc. It was quite the left-wing soapbox tour de force!
9) “The Unsinkable Molly Brown Spittoon” (2008) Every year I donate something to Rocky Mountain PBS station and this year I got inspired and created an epic tale to grace a spittoon. It sold for $250.00… cheap! It’s definitely a one of a kind.10) “Wally creates the ultimate political reality TV show: ‘The Perils of Palin” and “Wally defends Sarah Palin’s stand on hunting wolves with helicopters with some folksy backwoods wisdom” (2008) These two adventures celebrate the overwhelming national spotlight on that spunky right-wing Alaskan governor that dropped into our laps a few months ago. I’m hoping that she will go away now, but only time will tell.
If you happen to have any old Wally ceramics out there that might be worthy of this list, feel free to post the titles below. The really odd thing about doing this line of pottery for as long as I have is the fact that there are pots out there that I don’t even remember making. I have shoe boxes full of photos and memorabilia, but I don’t have records of everything I’ve done. It’s going to be an interesting task for folk art historians of the future to nail down all those esoteric designs out there!